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Yes, those are some interesting baritones and I respect your process. Getting Jason Marshall, back involved in the process is a great step too!

The middle bari has Lisa Simpson's tone

Sounding pretty good.

Tom Scott : saving all my love for you

Nice

Que número es esa boquilla ? Saludos desde Venezuela. I love sound

Que número es esa boquilla ? Saludos desde Venezuela

what should I do if I'm playing with a looser embouchure and can't push the mouthpiece in anymore to compensate for the flatter pitch?

Wauw amazing sound!

31:43

Buenas!! Tengo un beechlee bellite standar 7 y estoy pensando seriamente cambiar a la super jet vale la pena?

Después que tenga la boquilla 😅😅😅me gustaría hacer todo eso también 😅😅😅😅

0:39 The dog peeing 😂 🐶

Just practice everything you can't play, eventually you'll be able to play everything. Practice has to be fun and it will become a chore if you start writing down stuff, Coffin makes it science 👎

Used to play a Yamaha 62 in college. I miss it SO MUCH.

I have this setup on my Yamaha YBS 480, killer bari sound! That's a Vandoren optimum ligature for a metal v16 tenor mouthpiece he's got on there, works very well!

Beautiful sound! Very inspiring thank you 🙏

❤

The prettiest sound in Jody’s lineup bar none

Good stuff bro Jeff, By the way, do you still have Coltrane's tenor horn? I'm just curious. Greetings from Montreal Canada.

Each time I listen to Jeff the more I admire him. His laidback attitude -- and sense of humility-- truly resonate with me. lol...BTW, I love that he made mention of the dreaded A-HOLE performer. They're the worst! I don't give a damned how talented he/she may be. Thanks for this, Jody Jazz.

Thanks for sharing.

😮😮😮 nice

What neckstrap does Jody have here?

Hmm, teaching at Vanderbilt in Nashville? Seems to me their music school won't be that bad, n'est-ce pas?

Great lesson in such a short time. Thanks!

This is a Master Class. Love this !!!!

Just Beautiful playing! True Tenor Sax sound, warmth, emotion combined with Soul....

The great UK pianist, Jason Rebello, has a similar sentiment: if you sound good when practicing, you're doing it wrong. As I understand it, what he means is that in practice you should be stripping everything down to the fundamentals, focusing on the core qualities of the notes, rather than thinking about an audience or anything else. Bach is supposed to be a good source material for this kind of practice. I guess it's the same principle as playing slowly - build a solid foundation, and the rest will kinda look after itself.

I love listening to how he uses his throat and tongue. It’s extremely educational for me. Thanks for this video. It’s worth a year or more of research, trial and error and mouthpiece switching. The target is so clear now. Wow!

Practice but have fun and make sure you are enjoying playing. To me that is the most important thing for my playing.

"You get used to that process" -- as more or less a beginner, I am not there yet, but makes sense. One thing for sure I have found is "repetition is magic". Over and over it is this: 1) I can't do it, 2) break it into chunks (1 bar chunks for example), 3) repeat each chunk a LOT (more than seems necessary), 4) put the chunks together, repeat some more. 5) I can do it. Go very slow to start, speed up later. Repetition can be boring, or can be meditative, but it is not difficult. So in this way, difficult can be almost easy, but it takes time.

Outstanding interview. Thanks, as always, for great offerings you put up. Process indeed ... much like life itself! Celebrate the journey!

I passed ltcl performance n clarinet with top marks. Never push for top speed. Play longer, but at a speed, you can play Farley comfortable. When you are tired, keep practising, but slower. Always pay attention to rhythm. Rythm is very much linked to virtuosity

🎉. Good video

Gorgeous

Pearls of wisdom from which we can all benefit! Thank you!

I appreciate this, thank you!

Thanks for posting this interview - making a sign for my studio right now: don’t confuse activity with progress.

A++++

For me, the DV NY is my preference, but the DV HR was pretty close behind.

Wonderful inspiring insights. Thank you Jody and Jeff!

Thanks gentlemen….that was a great lesson

It’s mad!

The true tone of tenor sax ! Beauty and warmth, just simple. Nice sound man !! Which reed ?

Excellent.

Oz Blue?

You make it sound so easy! Thank you!

I was usually play on 7 and 8 tip opening Vandoren hard rubber. Which tip opening do you recommend?

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